松山祐士's '別離の果てに M-14' came out on January 9, 2020. With 別離の果てに M-14 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 劇場版『機動戦士ガンダムⅢ めぐりあい宇宙編』オリジナルサウンドトラック1, so we believe that "別離の果てに M-14" is a single. 別離の果てに M-14 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 別離の果てに M-14 by 松山祐士 is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
アークザラッドのテーマ | SIE Sound Team | F Major | 5 | 7B | 124 BPM | ||
新たなる覚醒 | 松山祐士 | D Major | 8 | 10B | 154 BPM | ||
エンディング M-21 | 松山祐士 | F Major | 4 | 7B | 79 BPM | ||
SF交響ファンタジー第1番(1983) 「宇宙大戦争」戦争シーン | 伊福部昭, 広上淳一, Japan Philharmonic Orchestra | A Minor | 7 | 8A | 136 BPM | ||
Don't Stop!Carry On! | RD | F Major | 5 | 7B | 170 BPM | ||
運命の矢 | ヘルシー・ウィングス・オーケストラ | G Major | 5 | 9B | 76 BPM | ||
暗黒皇帝ベルドのテーマ | 風のオーケストラ | E Minor | 3 | 9A | 179 BPM | ||
帰還 [M-7] | Kohei Tanaka | G Minor | 5 | 6A | 117 BPM | ||
光を継ぐもの | 矢野立美 | A Minor | 3 | 8A | 135 BPM | ||
水の星へ愛をこめて | Hiroko Moriguchi | E Minor | 7 | 9A | 134 BPM |