"Vivaldi: Orlando furioso RV 728 / Act 1: Sol da te, mio dolce amore" by Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon was released on January 1, 2009. Since Vivaldi: Orlando furioso RV 728 / Act 1: Sol da te, mio dolce amore is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vivaldi by Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon. The song's track number on the album is #6 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. Vivaldi: Orlando furioso RV 728 / Act 1: Sol da te, mio dolce amore is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vivaldi: Orlando furioso RV 728 / Act 1: Sol da te, mio dolce amore by Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Orlando furioso RV 728 / Act 1: Sol da te, mio dolce amore being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in B Minor, Op. 3/10, RV. 580: I. Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Michaela Comberti, Miles Golding, Jaap Ter Linden, The English Concert, Trevor Pinnock | B♭ Major | 3 | 6B | 72 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
Centone di sonate, Op. 64, MS 112: Sonata No. 1 in A Minor: II. Rondoncino | Niccolò Paganini, Moshe Hammer, Norbert Kraft | A Major | 2 | 11B | 122 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | F Minor | 2 | 4A | 144 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Flute Concerto in G Minor, RV 439 "La notte": IV. Presto | Antonio Vivaldi, I Solisti Di Perugia, Mario Ancillotti, Claudio Brizi, Paolo Franceschini | F Major | 4 | 7B | 143 BPM | ||
Chamber Concerto in D Major, RV 95, "La pastorella" (arr. for recorder and orchestra): II. Largo | Antonio Vivaldi, László Kecskeméti, Nicolaus Esterhazy Sinfonia | D Major | 0 | 10B | 56 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM |