"Rinaldo, HWV 7a / Act II: "Lascia ch'io pianga"" by George Frideric Handel, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon was released on January 1, 2007. With this song being about 5 minutes long, at 4:58, "Rinaldo, HWV 7a / Act II: "Lascia ch'io pianga"" by George Frideric Handel, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 'Ah! mio cor' Handel: Arias, so we believe that "Rinaldo, HWV 7a / Act II: "Lascia ch'io pianga"" is a single. Rinaldo, HWV 7a / Act II: "Lascia ch'io pianga" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rinaldo, HWV 7a / Act II: "Lascia ch'io pianga" by George Frideric Handel, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: IV. Allegro, ma non troppo | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D Minor | 2 | 7A | 134 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM |