Mel Gibson, David O'Hara, Brendan Gleeson, James Cosmo made "Conversing with the Almighty [Braveheart - Original Sound Track - With dialogue from the film]" available on 1997. With Conversing with the Almighty [Braveheart - Original Sound Track - With dialogue from the film] being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in London Symphony Orchestra, James Horner's "More Music from Braveheart" album is number 10 out of 25. Based on our statistics, Conversing with the Almighty [Braveheart - Original Sound Track - With dialogue from the film]'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Conversing with the Almighty [Braveheart - Original Sound Track - With dialogue from the film] by Mel Gibson, David O'Hara, Brendan Gleeson, James Cosmo to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Making Water | Harry Gregson-Williams | B♭ Major | 3 | 6B | 116 BPM | ||
Crusaders | Harry Gregson-Williams | F Minor | 2 | 4A | 118 BPM | ||
Balmoral | Chicago Police Department | A Major | 7 | 11B | 146 BPM | ||
Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM | ||
Braveheart | Eric Rigler, Bill Garden Orchestra | A Minor | 1 | 8A | 130 BPM | ||
Kind of Beautiful | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
The Shells | Stephen Warbeck | G Minor | 1 | 6A | 85 BPM | ||
Main Title - From "The Last Of The Mohicans" | Trevor Jones | D Minor | 3 | 7A | 178 BPM | ||
Stargate: Atlantis | The Remotes | D Minor | 4 | 7A | 128 BPM | ||
The Virginia Company - From "Pocahontas" | Chorus - Pocahontas | G Major | 4 | 9B | 178 BPM |