"Wenn ich ein Vöglein wär, Op. 43, No. 1" by Robert Schumann, Barbara Bonney, Angelika Kirchschlager had its release date on October 4, 2004. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 31 in Erste Begegnung / First Encounter by Barbara Bonney, Angelika Kirchschlager. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wenn ich ein Vöglein wär, Op. 43, No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wenn ich ein Vöglein wär, Op. 43, No. 1 by Robert Schumann, Barbara Bonney, Angelika Kirchschlager is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K.620 / Act 2: "Ein Mädchen oder Weibchen" | Wolfgang Amadeus Mozart, Michael Kraus, Lotte Leitner, Andreas Schmidt, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 134 BPM | ||
Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 69 BPM | ||
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes (Einfach und nicht rasch) | Clara Schumann, Friedrich Rückert, Robert Schumann, Edda Moser | A♭ Major | 2 | 4B | 71 BPM | ||
Silent Noon | Ralph Vaughan Williams, Kitty Whately, Joseph Middleton | E♭ Major | 0 | 5B | 68 BPM | ||
Als die alte Mutter, Op. 55, No. 4 | Antonín Dvořák, Jonas Kaufmann, Helmut Deutsch | D Major | 1 | 10B | 65 BPM | ||
Schenkt man sich Rosen in Tirol (From "Der Vogelhändler) | Carl Zeller, Jonas Kaufmann, Ádám Fischer | B♭ Major | 3 | 6B | 82 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: VI. Wohl mir, dass ich Jesum habe - Arr. for French Horn | Johann Sebastian Bach, Felix Klieser, CHAARTS Chamber Artists | F Major | 1 | 7B | 82 BPM | ||
Sebben crudele mi fai languir' | Antonio Caldara, Cecilia Bartoli, György Fischer | C Major | 0 | 8B | 97 BPM | ||
Wesendonck Lieder, WWV 91: Träume | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
Die Zauberflöte, K.620 / Act 2: O Isis und Osiris (Sarastro, Chor) | Wolfgang Amadeus Mozart, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Major | 1 | 7B | 93 BPM |