Arthur Somervell, David Owen Norris, David Wilson-Johnson's 'A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread' came out on 1986. The duration of A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Somervell: Maud & A Shropshire Lad". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread by Arthur Somervell, David Owen Norris, David Wilson-Johnson having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of Travel: In Dreams | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Major | 1 | 3B | 66 BPM | ||
2 Motets, Op. 65: I. Ave verum | Gabriel Fauré, Corydon Singers, Matthew Best, John Scott | F Major | 0 | 7B | 77 BPM | ||
IAB 5: Ah! Love, but a Day | Amy Beach, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 129 BPM | ||
Requiem, Op. 9: Introit (Requiem aeternam) - Kyrie eleison | Maurice Duruflé, Collegium Vocale Seoul | F Major | 2 | 7B | 70 BPM | ||
Les Roses D'Ispahan Op.39 N°4 (Leconte De Lisle) | Gabriel Fauré, Frederica von Stade | D Major | 1 | 10B | 108 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Sechs deutsche Lieder, Opus 37: Nr. 4 Getrennte Liebe (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | F Major | 1 | 7B | 118 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
Violin Concerto in G Minor: II. Adagio | Arthur Somervell, BBC Scottish Symphony Orchestra, Martyn Brabbins, Anthony Marwood | E♭ Major | 0 | 5B | 84 BPM | ||
A Shropshire Lad: 3. There Pass the Careless People | Arthur Somervell, Bryn Terfel, Malcolm Martineau | C Major | 1 | 8B | 83 BPM |