Whitney Houston's 'Where Do Broken Hearts Go' came out on June 2, 1987. With this song being about 5 minutes long, at 4:37, "Where Do Broken Hearts Go" by Whitney Houston is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Whitney by Whitney Houston. The song's track number on the album is #10 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. Where Do Broken Hearts Go is fairly popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Where Do Broken Hearts Go by Whitney Houston has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Where Do Broken Hearts Go being at 62 テンポ, the half-time would be 31 テンポ with a double-time of 124 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Whiter Shade of Pale | Annie Lennox | C Major | 6 | 8B | 146 BPM | ||
2 Become 1 | Spice Girls | F♯ Major | 7 | 2B | 144 BPM | ||
A Smile Like Yours | Natalie Cole | D♭ Major | 5 | 3B | 114 BPM | ||
Broken Hearted Me | Anne Murray | D♭ Major | 4 | 3B | 134 BPM | ||
Beautiful In My Eyes | Joshua Kadison | E♭ Major | 4 | 5B | 142 BPM | ||
Still | Commodores | D♭ Major | 1 | 3B | 125 BPM | ||
No One Else Comes Close | Joe | C Major | 5 | 8B | 110 BPM | ||
Me - You = Blue | Glenn Medeiros | B♭ Major | 5 | 6B | 75 BPM | ||
One Hundred Ways - New Version | James Ingram | A♭ Major | 5 | 4B | 90 BPM | ||
Could've Been | Tiffany, George Tobin, Bill Smith | D♭ Major | 2 | 3B | 99 BPM |