"7 Magnificat Antiphons: No. 2. O Adonai" by Arvo Pärt, Latvian Radio Choir, Sigvards Kļava was released on September 9, 2016. The duration of 7 Magnificat Antiphons: No. 2. O Adonai is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. 7 Magnificat Antiphons: No. 2. O Adonai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 18 in Arvo Pärt: Da Pacem Domine by Arvo Pärt, Latvian Radio Choir, Sigvards Kļava. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. 7 Magnificat Antiphons: No. 2. O Adonai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Magnificat Antiphons: No. 2. O Adonai by Arvo Pärt, Latvian Radio Choir, Sigvards Kļava is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | F Minor | 0 | 4A | 129 BPM | ||
One Charming Night (Secrecy) | Henry Purcell, Sjaella | F♯ Minor | 0 | 11A | 85 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Major | 1 | 3B | 77 BPM | ||
To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel & Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM | ||
Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Major | 1 | 10B | 130 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM |