Wolfgang Amadeus Mozart, Members of the Netherlands Wind Ensemble, Werner Herbers, Carlo Ravelli, Hans Mossel, Hens Otter, Joep Terwey, Kees Olthuis, Iman Soeteman, Jan Peeters, Hans Krul made "Don Giovanni, ossia Il dissoluto punito, K.527 - Arr. for 8 wind instruments by Johann G. Triebensee (1746-1813) - Act 1: "Notte e giorno faticar"" available on June 16, 2022. The duration of Don Giovanni, ossia Il dissoluto punito, K.527 - Arr. for 8 wind instruments by Johann G. Triebensee (1746-1813) - Act 1: "Notte e giorno faticar" is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Don Giovanni, ossia Il dissoluto punito, K.527 - Arr. for 8 wind instruments by Johann G. Triebensee (1746-1813) - Act 1: "Notte e giorno faticar"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 397 out of 429 in Classical Road Trip: Mozart by Wolfgang Amadeus Mozart, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Don Giovanni, ossia Il dissoluto punito, K.527 - Arr. for 8 wind instruments by Johann G. Triebensee (1746-1813) - Act 1: "Notte e giorno faticar" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 - Arr. for 8 wind instruments by Johann G. Triebensee (1746-1813) - Act 1: "Notte e giorno faticar" by Wolfgang Amadeus Mozart, Members of the Netherlands Wind Ensemble, Werner Herbers, Carlo Ravelli, Hans Mossel, Hens Otter, Joep Terwey, Kees Olthuis, Iman Soeteman, Jan Peeters, Hans Krul is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Requiem pour soli, choeur et orchestre en ré mineur K.626, Introitus: Kyrie eleison | Wolfgang Amadeus Mozart, Efrat Ben Nun, Elisabeth Graf, Ensemble Vocal de Lausanne, Jeffrey Francis, Marcus Fink, Michel Corboz, Orchestre de Chambre de Genève | D Minor | 2 | 7A | 100 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM |