Luigi Boccherini, Saint Paul Chamber Orchestra, Bobby McFerrin made "Minuet from String Quintet No.1 in E Major, Op. 13 No. 5, G. 275" available on July 18, 1995. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Paper Music". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Minuet from String Quintet No.1 in E Major, Op. 13 No. 5, G. 275 is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Minuet from String Quintet No.1 in E Major, Op. 13 No. 5, G. 275 by Luigi Boccherini, Saint Paul Chamber Orchestra, Bobby McFerrin having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Les Indes Galantes / Les Sauvages: 21. Air pour les sauvages | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | F Minor | 4 | 4A | 102 BPM | ||
Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM | ||
Kanon und Gigue | Johann Pachelbel, Jordi Savall | D Major | 2 | 10B | 76 BPM | ||
Silk Rondeau (For Maite) | Judith Steenbrink, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
Katioucha / Otchi Tchornye - Medley | Sirba Octet, Nicolas Kedroff, Orchestre Philharmonique Royal de Liège, Christian Arming | B Minor | 2 | 10A | 142 BPM | ||
The Pearl Fishers, WD 13: Je crois entendre encore (Arr. for Violin & Orchestra) | Georges Bizet, Joshua Bell, Michael Stern, Orchestra of St. Luke's | A Minor | 1 | 8A | 72 BPM | ||
L'entraînement à la dictée | Olivier Daviaud, Enrico Macias, Amsterdam Klezmer Band | E Minor | 1 | 9A | 134 BPM | ||
Mine own king am I and Joel (Arr. for Baroque Ensemble by Tineke Steenbrink) | Eric Vloeimans, Holland Baroque Society | A Minor | 0 | 8A | 121 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Joplin: The Entertainer | Scott Joplin, Gautier Capuçon, Jerome Ducros | C Major | 1 | 8B | 177 BPM |