Bernard Hardison made "Too Much" available on 1949. The duration of Too Much is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Too Much's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Rock-Ola: A Rev-Ola Rock'n'Roll Sampler, Vol. 1". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Too Much's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Too Much by Bernard Hardison having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bring Your Love Back Home | Eddie Snow | C Major | 4 | 8B | 113 BPM | ||
Love Crazy Baby | Kenny Parchman | B♭ Major | 8 | 6B | 178 BPM | ||
The Worryin' Kind | Tommy Sands | B Minor | 8 | 10A | 126 BPM | ||
Bom Bom Lulu | Gene, Eunice | F Minor | 5 | 4A | 76 BPM | ||
You Got Me Reeling and Rocking - Remastered | Roy Milton | F Major | 6 | 7B | 168 BPM | ||
That's Why I Cry - Alternate Take | Varetta Dillard | E Minor | 7 | 9A | 142 BPM | ||
Flip Out | Billy Brown | F Minor | 9 | 4A | 148 BPM | ||
Juvenile Delinquent | Ronnie Allen | B♭ Minor | 10 | 3A | 153 BPM | ||
White Port and Lemon Juice | The Bel-Aires | B♭ Major | 8 | 6B | 173 BPM | ||
Hard Times Ahead | Janis Martin | C Major | 7 | 8B | 148 BPM |