On 1966, the song "Cabaret: Telephone Song" was released by John Kander, Cabaret Ensemble, Harold Hastings. The duration of Cabaret: Telephone Song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Cabaret: Telephone Song's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 25 in Cabaret (Original Broadway Cast Recording) by John Kander, Original Broadway Cast of Cabaret. Based on our statistics, Cabaret: Telephone Song's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Cabaret: Telephone Song by John Kander, Cabaret Ensemble, Harold Hastings is Allegro (fast, quick, and bright), since this song has a tempo of 145 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hello | Bob Martin, 'The Drowsy Chaperone' Original Broadway Cast | A♭ Major | 3 | 4B | 110 BPM | ||
A Little Night Music: Remember? | Stephen Sondheim, Benjamin Rayson, Teri Ralston, Beth Fowler, Gene Varrone, Barbara Lang, Harold Hastings | D Major | 2 | 10B | 163 BPM | ||
New York, New York: Theme | John Kander, Andrea Malek | C Major | 5 | 8B | 122 BPM | ||
Candide, Act I (Remastered): It Must be So | Leonard Bernstein, Robert Rounseville, Samuel Krachmalnick, Candide Orchestra | A Minor | 1 | 8A | 112 BPM | ||
Adelaide's Lament (Reprise) | Faith Prince | F♯ Major | 0 | 2B | 92 BPM | ||
Overture delle Donne / Spa Music / Not Since Chaplin | Nine Ensemble | C Major | 3 | 8B | 94 BPM | ||
This Plum Is Too Ripe | Hugh Thomas, Rita Gardner, William Larsen, Kenneth Nelson | F Major | 4 | 7B | 71 BPM | ||
You Can't Get a Man with a Gun | Irving Berlin, Ethel Merman | C Major | 3 | 8B | 173 BPM | ||
Sweet Charity: I Love to Cry at Weddings | Cy Coleman, John Wheeler, Michael Davis, Helen Gallagher, Thelma Oliver, Sweet Charity Ensemble, Fred Werner, Sweet Charity Original Broadway Cast | G Major | 2 | 9B | 114 BPM | ||
Settling Up the Score (feat. Chita Rivera, Stephanie J. Block) | The Mystery of Edwin Drood - The 2013 New Broadway Cast | D Major | 4 | 10B | 80 BPM |