"Summi triumphum regis (Sequence for the Ascension)" by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola was released on 1977. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Traditional, Konrad Ruhland's "Konrad Ruhland Conducts Gregorian Chant" album is number 7 out of 63. Based on our statistics, Summi triumphum regis (Sequence for the Ascension)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Summi triumphum regis (Sequence for the Ascension) by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Traditional: La llorona (Arr. Pluhar) | Traditional, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | E Minor | 1 | 9A | 116 BPM | ||
Traditional: La lloroncita (Arr. Pluhar) | Traditional, Christina Pluhar, L'Arpeggiata, Luciana Mancini | C Major | 2 | 8B | 169 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
The Noble Joseph | Men's Chamber Choir of Sofia | C Major | 3 | 8B | 80 BPM | ||
Ave Maria, CG 89a (Arr. for Cello, Organ & Harp) | Steven Houser, Stephen Hartman, Stefan Engels | F Major | 1 | 7B | 119 BPM | ||
Andro | Traditional, Jessica Baran-Surel | G Minor | 5 | 6A | 110 BPM | ||
Asperges Me - Chant Mass | OCP Session Choir | D Major | 1 | 10B | 103 BPM | ||
Proprium Missae in Dominica: Introitus - Respice in Me | Traditional, Slovenski Madrigalisti | A Minor | 0 | 8A | 132 BPM | ||
Elijah, Op. 70, MWV A 25, Pt. 2: No. 28, Lift Thine Eyes | Felix Mendelssohn, The Chapel Choir of Marlborough College, Robin Nelson | G Major | 1 | 9B | 174 BPM |