Yasumasa Kitagawa's 'A Battle of Wits - Backstage (Partners Version)' came out on August 9, 2017. The duration of A Battle of Wits - Backstage (Partners Version) is about 3 minutes long, at 3:13. Based on our data, "A Battle of Wits - Backstage (Partners Version)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 49 in the song's album "The Great Ace Attorney 2: Resolve Grand Performance Recording". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Japan. Based on our statistics, A Battle of Wits - Backstage (Partners Version)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With A Battle of Wits - Backstage (Partners Version) by Yasumasa Kitagawa having a テンポ of 149 with a half-time of 74 テンポ and a double-time of 298 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
成歩堂龍ノ介 〜覺悟の序曲 | Yasumasa Kitagawa | E♭ Minor | 5 | 2A | 135 BPM | ||
カジノナンバー7 | 西浦智仁 | D Minor | 4 | 7A | 145 BPM | ||
Temperantia - In Foregoing Pleasures | BAYONETTA | C Major | 8 | 8B | 120 BPM | ||
"Trisection" from FINAL FANTASY TACTICS (Arrangement) | Takeharu Ishimoto, Kentaro Sato (Ken-P) | C Major | 9 | 8B | 160 BPM | ||
Grandport, Center of Commerce | Yasunori Nishiki | D Major | 7 | 10B | 68 BPM | ||
Into the Fortress - Zodiac Age Version | Hitoshi Sakimoto | E♭ Major | 3 | 5B | 108 BPM | ||
No Time Left | Yoko Shimomura | G Minor | 9 | 6A | 192 BPM | ||
Mother - Intro | Binary Haze Interactive, Mili | A♭ Major | 7 | 4B | 81 BPM | ||
微風 | Yasumasa Kitagawa | C Major | 2 | 8B | 113 BPM | ||
Night Raid | コーエーテクモサウンド | F Major | 5 | 7B | 100 BPM |