Ludwig van Beethoven, Louis Lortie's 'Piano Sonata No. 14, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto' came out on March 1, 1999. Since Piano Sonata No. 14, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 11 in Beethoven: Piano Sonatas, Op. 27 & 28 by Ludwig van Beethoven, Louis Lortie. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Piano Sonata No. 14, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 14, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto by Ludwig van Beethoven, Louis Lortie is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Fantasie Impromtu, Op. 66 (Chopin) | Anna Malikova | D♭ Major | 1 | 3B | 78 BPM | ||
Elgar: Salut d'amour | Edward Elgar, Kyung Wha Chung, Kevin Kenner | E Major | 1 | 12B | 79 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Michel Béroff | E Major | 0 | 12B | 68 BPM | ||
Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | ||
Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | A Minor | 0 | 8A | 134 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |