"Sitt: Violin concertino Op. 70 in A Minor: II. Andante" by Hans Sitt, Maria Antònia Pons-Estel Tugores, Valentin Moldovan had its release date on March 11, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Student Violin Concertos: Conciertos para Violín y Piano". In this album, this song's track order is #23. The popularity of Sitt: Violin concertino Op. 70 in A Minor: II. Andante is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sitt: Violin concertino Op. 70 in A Minor: II. Andante by Hans Sitt, Maria Antònia Pons-Estel Tugores, Valentin Moldovan having a テンポ of 178 with a half-time of 89 テンポ and a double-time of 356 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM | ||
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
Schumann: 3 Romances, Op. 22: No. 1 Andante molto | Clara Schumann, Emmanuel Pahud, Eric Le Sage | B♭ Major | 0 | 6B | 87 BPM | ||
Staccato Sonata | Markolyno | D Minor | 0 | 7A | 64 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
The Lark in the Clear Air (Arr. for Piano Trio by Thomas Christopher Kelly) | Traditional, Lynda O'Connor, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Étude IX | Hans Sitt, Jonathan Prado | B♭ Major | 3 | 6B | 100 BPM | ||
Sonata for Violin & Harp, Op. 115 (Version for Flute & Harp): II. Larghetto | Louis Spohr, András Adorján, Marielle Nordmann | E Major | 1 | 12B | 60 BPM | ||
6 Charakterstücke, Op. 33: No. 4, Ständchen (Serenade) | Christian Sinding, Eva Knardahl | A♭ Major | 0 | 4B | 69 BPM |