Canto Ostinato: Section 83

Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova
Canto Ostinato
5:39 2020年12月17日
テンポ
144
キー
B♭ Minor
キャメロットミュージックキー
3A

リンクを埋め込む

共有

Canto Ostinato: Section 83 - Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova 情報

音響性
98%
ダンサビリティ
51%
エネルギー
28%
手段性
91%
活気
13%
ラウドネス
73%
話し言葉
5%
価数
64%
人気
ラウドネス
-16.036 dB

まとめ

Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova's ' "Canto Ostinato: Section 83" was released on its scheduled release date, December 17, 2020. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 9 out of 19 in Canto Ostinato by Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Canto Ostinato: Section 83's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Canto Ostinato: Section 83 テンポ

The tempo marking of Canto Ostinato: Section 83 by Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova is Allegro (fast, quick, and bright), since this song has a tempo of 144 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Canto Ostinato: Section 83 キー

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Canto Ostinato: Section 20 - Live by Simeon ten Holt, Arielle Vernède, Gerard Bouwhuis, Gene Carl, Cees Van ZeelandCanto Ostinato: Section 20 - LiveSimeon ten Holt, Arielle Vernède, Gerard Bouwhuis, Gene Carl, Cees Van ZeelandE♭ Minor12A154 BPM
Pulsars, Pt. 2: Episode 1 by Tomasz TrzcinskiPulsars, Pt. 2: Episode 1Tomasz TrzcinskiG Major09B96 BPM
Élégie, L. 138 by Claude Debussy, Alexei LubimovÉlégie, L. 138Claude Debussy, Alexei LubimovA Minor08A73 BPM
For Bunita Marcus: Mm. 1270-1372 by Morton Feldman, Aki TakahashiFor Bunita Marcus: Mm. 1270-1372Morton Feldman, Aki TakahashiD Major010B63 BPM
Canto Ostinato (Arr. for Harp by Gwyneth Wentink): Section 17-40 by Simeon ten Holt, Gwyneth WentinkCanto Ostinato (Arr. for Harp by Gwyneth Wentink): Section 17-40Simeon ten Holt, Gwyneth WentinkE♭ Minor22A153 BPM
DAMnation (feat. Pieter de Graaf) by Lavinia Meijer, Pieter de GraafDAMnation (feat. Pieter de Graaf)Lavinia Meijer, Pieter de GraafF Minor34A111 BPM
On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! by Leoš Janáček, Lars VogtOn an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night!Leoš Janáček, Lars VogtG Major09B129 BPM
Three Movements for Orchestra: 2. Mvt.2 by Steve Reich, Los Angeles Philharmonic, Stefan AsburyThree Movements for Orchestra: 2. Mvt.2Steve Reich, Los Angeles Philharmonic, Stefan AsburyF Minor14A183 BPM
Bach by Johanna SummerBachJohanna SummerG Minor06A76 BPM
Twelve Preludes For Piano (1953): I by Galina Ustvolskaya, Marianne SchroederTwelve Preludes For Piano (1953): IGalina Ustvolskaya, Marianne SchroederD Minor07A68 BPM
ISRC
NL3UC2001186
レコードレーベル
L-M Records/RCA Records