Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel's 'Harmonia artificioso-ariosa / Partia IV: Allamande' came out on January 1, 2004. The duration of Harmonia artificioso-ariosa / Partia IV: Allamande is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Harmonia artificioso-ariosa / Partia IV: Allamande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Harmonia artificioso-ariosa / Partia IV: Allamande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harmonia artificioso-ariosa / Partia IV: Allamande by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in B-Flat Major, Op. 5 No. 2: I. Grave | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 1 | 4B | 100 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Viola da Gamba Suite in D Major: III. Vivace | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 103 BPM | ||
Concert XXVII: Bourrasque - Sarabande | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 140 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
Scarlatti, A.: Concerto Grosso No. 1 in F Minor: III. Largo | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 84 BPM | ||
Sonata a tre in re maggiore: II. Adagio | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 0 | 3B | 102 BPM | ||
Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave | Georg Muffat, Holland Baroque Society, Matthew Halls | B Major | 3 | 1B | 103 BPM |