Igor Stravinsky, Orpheus Chamber Orchestra's 'Orpheus - Ballet in 3 Scenes / 2nd scene: Pas de deux' came out on January 1, 1999. With this song being about 5 minutes long, at 5:15, "Orpheus - Ballet in 3 Scenes / 2nd scene: Pas de deux" by Igor Stravinsky, Orpheus Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Stravinsky: Orpheus; Danses concertantes". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Orpheus - Ballet in 3 Scenes / 2nd scene: Pas de deux is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Orpheus - Ballet in 3 Scenes / 2nd scene: Pas de deux by Igor Stravinsky, Orpheus Chamber Orchestra having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première Rapsodie, L. 116 | Claude Debussy, Hallé, Sir Mark Elder, Sergio Castelló López | F♯ Major | 0 | 2B | 87 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 73 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 2. Andante | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | E Major | 0 | 12B | 88 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas (Allegro con brio) | Joaquín Rodrigo, Göran Söllscher, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 121 BPM | ||
Divertimento for Strings, Sz. 113: I. Allegro non troppo | Béla Bartók, Chicago Symphony Strings, Sir Georg Solti | B♭ Major | 2 | 6B | 108 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM |