Werner R. Heymann, Paul Hörbiger, Marek Weber Orchestra, Marek Weber's 'Der Kongress tanzt: Das muss ein Stuck vom Himmel sein' came out on January 29, 2013. The duration of Der Kongress tanzt: Das muss ein Stuck vom Himmel sein is about 3 minutes long, at 3:25. Based on our data, "Der Kongress tanzt: Das muss ein Stuck vom Himmel sein" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 22 in Chronik deutscher Filmmusik - History of German Film Music, Vol. 2: Melodie der Liebe (1931-1933) by Various Artists, Paul Dessau, Otto Dobrindt, Paul Godwin, Gerard Jacobsohn, Walter Schultze, Franz Doelle, Frieder Weissmann, Hans Sommer, Ralph Erwin, StudioConductor, Gerhard Hoffmann, Hans Bund, Ilja Livschakoff, Felix Lehmann, Marek Weber. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Der Kongress tanzt: Das muss ein Stuck vom Himmel sein's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Kongress tanzt: Das muss ein Stuck vom Himmel sein by Werner R. Heymann, Paul Hörbiger, Marek Weber Orchestra, Marek Weber is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Denk an mich - 1990 German Cast Recording Of “The Phantom Of The Opera” | Andrew Lloyd Webber, "The Phantom Of The Opera" 1990 German Cast, Anna Maria Kaufmann, Hartwig Rudolz | D Major | 9 | 10B | 169 BPM | ||
Wenn der Vater mit dem Sohne | Heinz Rühmann, Oliver Grimm | A Major | 4 | 11B | 129 BPM | ||
Irgendwo auf der Welt (From "Ein blonder Traum") [Arr. N. Dostal for Orchestra] | Werner R. Heymann, Munich Radio Orchestra, Ernst Theis | C Major | 3 | 8B | 107 BPM | ||
La Cage Aux Folles: Die Schönste Zeit | Beate Hasenau, Helmut Baumann | D♭ Minor | 2 | 12A | 103 BPM | ||
Kleiner Wiener Heurigenmarsch | Schrammel-Ensemble Alfons Bauer | D Major | 3 | 10B | 111 BPM | ||
Frau Luna: Einleitung - Schlösser, die im Monde liegen | Paul Lincke, Herta Talmar, Franz Fehringer, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 75 BPM | ||
So suss wie du | Erwin Hartung, Bernard Ette Orchestra, Bernhard Ette | A♭ Major | 3 | 4B | 178 BPM | ||
Die Schönheitskönigin von Schneizlreuth | Bally Prell | F♯ Major | 2 | 2B | 109 BPM | ||
Die Dreigroschenoper: Akt I, Die Unsicherheit menschlicher Verhältnisse ("Was ich möchte, ist es viel?") | Kurt Weill, Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | F Major | 2 | 7B | 137 BPM | ||
Die Dreigroschenoper: Akt II, Die Zuhälterballade ("In einer Zeit, die nun vergangen ist") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Lotte Lenya, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 130 BPM |