"Battle of Britain Suite: I. Spitfire Music - Battle in the Air" by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields was released on August 1, 1990. Battle of Britain Suite: I. Spitfire Music - Battle in the Air is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. This song is part of Walton: Film Music, Vol. 2 by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #17 out of 18 tracks. Battle of Britain Suite: I. Spitfire Music - Battle in the Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Battle of Britain Suite: I. Spitfire Music - Battle in the Air by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Battle of Britain Suite: I. Spitfire Music - Battle in the Air being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Taking Sides On The Issue | Randy Edelman | C Major | 3 | 8B | 0 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: I. Prelude (Sonnenaufgang) | Richard Strauss, Berliner Philharmoniker, Karl Böhm | C Major | 2 | 8B | 94 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Symphony No. 7 in A Major, Op. 92: 2. Allegretto | Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 134 BPM | ||
Wagner: Die Walküre: Magic Fire Music | Richard Wagner, Philippe Jordan, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 86 BPM | ||
Cliffhanger Theme | Trevor Jones | D Major | 4 | 10B | 89 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
They Have To Be Told | Howard Shore | D Minor | 0 | 7A | 86 BPM |