Gottfried Heinrich Stölzel, Lang Lang's 'Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian)' had a release date set for November 20, 2020. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian)'s duration is considered a little bit shorter than the average duration of a typical track. Since Stölzel: Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) by Gottfried Heinrich Stölzel, Lang Lang having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An die Musik, D. 547 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Major | 1 | 10B | 81 BPM | ||
Grande Valse Brillante, Op. 18, No. 1 in E-Flat Major | Frédéric Chopin, Lang Lang | G Major | 0 | 9B | 148 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav. | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 109 BPM | ||
Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Valse lente | Germaine Tailleferre, Lang Lang | F♯ Minor | 0 | 11A | 80 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Eric Lu | C Major | 0 | 8B | 88 BPM | ||
Summer in Mondsee (Allegretto in A Major) | Alma Deutscher | A Major | 0 | 11B | 109 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |