"Concerto for Violin and Orchestra: II. = Ca. 108" by Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi was released on July 1, 2014. Since Concerto for Violin and Orchestra: II. = Ca. 108 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi, American Composers Orchestra, Dennis Russell Davies's "Glass: Heroes Symphony" album is number 8 out of 9. On top of that, Germany appears to be the country where this track was created. Concerto for Violin and Orchestra: II. = Ca. 108 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Violin and Orchestra: II. = Ca. 108 by Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Finlandia, Op.26, No.7: Andante sostenuto - Allegro moderato - Allegro | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A♭ Major | 2 | 4B | 71 BPM | ||
Gnossiennes: No. 1 - Lent | Erik Satie, Reinbert de Leeuw | F Minor | 0 | 4A | 139 BPM | ||
Scherzo in D Minor | Pavel Kogan, Moscow State Symphony Orchestra | D Minor | 4 | 7A | 121 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
5 Stücke im Volkston, Op. 102: I. Mit Humor ("Vanitas vanitatum") | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 1 | 7B | 112 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 2, Romance. Andante tranquillo | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 1 | 7A | 90 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM |