"Clarinet Concerto No. 4 in E Minor, WoO 20: III. Rondo al espagnol" by Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos was released on January 1, 2016. Since Clarinet Concerto No. 4 in E Minor, WoO 20: III. Rondo al espagnol is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Spohr: Clarinet Concertos Nos. 1 & 4". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Clarinet Concerto No. 4 in E Minor, WoO 20: III. Rondo al espagnol is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Clarinet Concerto No. 4 in E Minor, WoO 20: III. Rondo al espagnol by Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
Sonata For Violin And Piano In A: 1. Allegretto ben moderato | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 1 | 11B | 82 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Sonata for Clarinet and Piano: 3. Allegro con fuoco | Francis Poulenc, Karl Leister, James Levine | A♭ Major | 1 | 4B | 167 BPM | ||
Faust, Act III (1852 Version): Ich bin erschöpft, ich kann nicht weiter | Louis Spohr, Michael Vier, Bielefeld Philharmonic Orchestra, Geoffrey Moull | A♭ Major | 1 | 4B | 73 BPM | ||
Faust, Act I (1852 Version): Schnell rettet Euch! | Louis Spohr, Michael Vier, Eelco von Jordis, Claudia Taha, Bielefeld Philharmonic Orchestra, Geoffrey Moull | F♯ Major | 1 | 2B | 112 BPM | ||
String Quartet No. 16 In A Minor, Op. 58, No. 2: I. Moderato | New Budapest Quartet, Louis Spohr | A Minor | 1 | 8A | 110 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): I. Presto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 131 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM |