"Copland: Suite from Appalachian Spring: VIII. Moderato (1945 Version)" by Aaron Copland, Minnesota Orchestra, Sir Neville Marriner had its release date on May 24, 2024. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 13 in Copland: Appalachian Spring, Four Dance Episodes from Rodeo & El Salon México by Aaron Copland, Sir Neville Marriner, Minnesota Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Copland: Suite from Appalachian Spring: VIII. Moderato (1945 Version) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Copland: Suite from Appalachian Spring: VIII. Moderato (1945 Version) by Aaron Copland, Minnesota Orchestra, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crystal | Angelo Badalamenti | F Major | 0 | 7B | 116 BPM | ||
Concerto grosso in B flat, Op. 3, No. 2: 2. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VI. Harlequinade. Der schertzende Tritonus | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 2 | 1B | 144 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: II. Larghetto | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | C Minor | 1 | 5A | 127 BPM | ||
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
Concerto à otto stromenti in D Major: I. Allegro | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 130 BPM | ||
Symphony in C Major, J-C 4: II. Andante | Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini | G Major | 1 | 9B | 79 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 1. Lento | Lajos Lencsés, Zoltán Kodály, Budapest Strings | A♭ Major | 1 | 4B | 96 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): III. A Nemes felulese (The Nobility Mounts) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | B♭ Major | 1 | 6B | 62 BPM |