Mathis Der Maler, 2nd Tableau, Scene 3: Man fühlt den Segen (Albrecht/Ursula)

Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra
Hindemith: Mathis der Maler
1:41 1995年4月1日
テンポ
81
キー
E Major
キャメロットミュージックキー
12B

リンクを埋め込む

共有

Mathis Der Maler, 2nd Tableau, Scene 3: Man fühlt den Segen (Albrecht/Ursula) - Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra 情報

音響性
98%
ダンサビリティ
37%
エネルギー
15%
手段性
1%
活気
13%
ラウドネス
74%
話し言葉
5%
価数
10%
人気
ラウドネス
-15.449 dB

まとめ

"Mathis Der Maler, 2nd Tableau, Scene 3: Man fühlt den Segen (Albrecht/Ursula)" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 14 out of 61. Mathis Der Maler, 2nd Tableau, Scene 3: Man fühlt den Segen (Albrecht/Ursula) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mathis Der Maler, 2nd Tableau, Scene 3: Man fühlt den Segen (Albrecht/Ursula) テンポ

We consider the tempo marking of Mathis Der Maler, 2nd Tableau, Scene 3: Man fühlt den Segen (Albrecht/Ursula) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Mathis Der Maler, 2nd Tableau, Scene 3: Man fühlt den Segen (Albrecht/Ursula) キー

This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento by Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 1 in C Minor, Op. 35: II. LentoDmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoC Major08B72 BPM
Trio pour clarinette, alto et piano: I. Preludio. Largo by Jean Françaix, Trio EigerTrio pour clarinette, alto et piano: I. Preludio. LargoJean Françaix, Trio EigerA Minor08A102 BPM
Symphony in C Major, Op. 46: II. Sehr langsam - by Seattle Symphony Orchestra, Hans Pfitzner, Gerard SchwarzSymphony in C Major, Op. 46: II. Sehr langsam -Seattle Symphony Orchestra, Hans Pfitzner, Gerard SchwarzF Major07B90 BPM
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell by Hans Rott, Gürzenich Orchester Köln, Christopher WardSuite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnellHans Rott, Gürzenich Orchester Köln, Christopher WardB♭ Major26B93 BPM
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraSchoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zartArnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraA Minor08A69 BPM
Viola Sonata: II. Vivace by Rebecca Clarke, Philip Dukes, Sophia RahmanViola Sonata: II. VivaceRebecca Clarke, Philip Dukes, Sophia RahmanG Major19B67 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
12 Notations pour piano: I Fantasque - Modéré by Pierre Boulez, David Fray12 Notations pour piano: I Fantasque - ModéréPierre Boulez, David FrayD♭ Major03B79 BPM
Violin Concerto, Op. 14: I. Allegro by Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber OrchestraViolin Concerto, Op. 14: I. AllegroSamuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber OrchestraC Major18B95 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records