"Quel sguardo sdegnosetto, SV 247" by Claudio Monteverdi, Roberta Invernizzi, Luca Guglielmi was released on March 9, 2001. The duration of Quel sguardo sdegnosetto, SV 247 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Quel sguardo sdegnosetto, SV 247's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in A voce sola, con sinfonie by Luca Guglielmi, Roberta Invernizzi, Accademia Strumentale Italiana, Alberto Rasi. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Quel sguardo sdegnosetto, SV 247 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quel sguardo sdegnosetto, SV 247 by Claudio Monteverdi, Roberta Invernizzi, Luca Guglielmi is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Nabucco: Prologo / Siamo a riva | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo Bellotto | B♭ Minor | 1 | 3A | 77 BPM | ||
Te Deum, H. 146: V. Tu devicto mortis aculeo | Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon | D♭ Major | 3 | 3B | 124 BPM | ||
Vespro della Beata Vergine, SV 206: Sonata sopra Sancta Maria a 1 - Live | Claudio Monteverdi, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The London Oratory Junior Choir | D♭ Major | 1 | 3B | 85 BPM | ||
Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
Si Dolce È Il Tormento (Libro Nono) | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | A♭ Major | 0 | 4B | 114 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM |