Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo)

Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch
Dvořák: Stabat Mater
7:37 2011日
テンポ
79
キー
B♭ Minor
キャメロットミュージックキー
3A

リンクを埋め込む

共有

Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) - Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch 情報

音響性
98%
ダンサビリティ
9%
エネルギー
4%
手段性
28%
活気
11%
ラウドネス
57%
話し言葉
5%
価数
4%
人気
ラウドネス
-25.671 dB

まとめ

"Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo)" by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch was released on 2011. Since Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Dvořák: Stabat Mater by Antonín Dvořák, Philippe Herreweghe, Antwerp Symphony Orchestra, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) テンポ

The tempo marking of Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) キー

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Cypresses B.152: 2. Allegro ma non troppo by Antonín Dvořák, Hagen QuartettCypresses B.152: 2. Allegro ma non troppoAntonín Dvořák, Hagen QuartettF Minor14A89 BPM
Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae by Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony OrchestraRequiem in D Minor, K. 626: No 4, Sequence - Rex TremendaeWolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony OrchestraG Minor16A91 BPM
Requiem in D Minor, WAB 39: I. Introitus. Requiem by Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz BorowiczRequiem in D Minor, WAB 39: I. Introitus. RequiemAnton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz BorowiczB Minor110A166 BPM
Te Deum, WAB 45: 3. Aeterna fac by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-GrollTe Deum, WAB 45: 3. Aeterna facAnton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-GrollB♭ Major46B64 BPM
Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten by Franz Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav SjökvistDie Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die SaitenFranz Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav SjökvistD Major510B101 BPM
Rückert Lieder: II. Ich atmet' einen linden Duft by Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl BöhmRückert Lieder: II. Ich atmet' einen linden DuftGustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl BöhmD Major010B84 BPM
Stabat Mater: 11. Inflammatus by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonStabat Mater: 11. InflammatusGiovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonB♭ Major16B78 BPM
Rossini: Petite messe solennelle: II. Gloria, 1. Gloria in excelsis Deo - 2. Et in terra pax (Chorus, Soprano, Alto, Tenor, Bass, Chorus). Allegro maestoso - Andantino mosso by Gioachino Rossini, Antonio Pappano, Serge Koussevitzky, Boston Symphony OrchestraRossini: Petite messe solennelle: II. Gloria, 1. Gloria in excelsis Deo - 2. Et in terra pax (Chorus, Soprano, Alto, Tenor, Bass, Chorus). Allegro maestoso - Andantino mossoGioachino Rossini, Antonio Pappano, Serge Koussevitzky, Boston Symphony OrchestraA Major011B82 BPM
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace by Antonín Dvořák, Los Angeles Philharmonic, Gustavo DudamelSymphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivaceAntonín Dvořák, Los Angeles Philharmonic, Gustavo DudamelC Major18B127 BPM
Le charme Op. 2 N°2 by Ernest Chausson, Susan Manoff, Sandrine PiauLe charme Op. 2 N°2Ernest Chausson, Susan Manoff, Sandrine PiauG Major09B93 BPM
ISRC
BER181200904
レコードレーベル
L-M Records/RCA Records