"Rigoletto - Giovanna Ho Dei Rimorsi… È Il Sol Dell'Anima…" by Angelo Jacopucci, Margherita Rinaldi, Margherita Benetti, Luciano Pavarotti, Leonardo Monreale was released on January 1, 1991. Since Rigoletto - Giovanna Ho Dei Rimorsi… È Il Sol Dell'Anima… is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Rigoletto - Highlights". In this album, this song's track order is #4. Rigoletto - Giovanna Ho Dei Rimorsi… È Il Sol Dell'Anima… is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto - Giovanna Ho Dei Rimorsi… È Il Sol Dell'Anima… by Angelo Jacopucci, Margherita Rinaldi, Margherita Benetti, Luciano Pavarotti, Leonardo Monreale having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM | ||
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM | ||
Romeo and Juliette, Act I: Enfin le place est libre, amis! | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
Cherubini: Medea, Act 2: "Hai dato pronto ascolto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | B♭ Major | 0 | 6B | 96 BPM | ||
Girometta | Gabriele Sibella, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | F♯ Major | 3 | 2B | 108 BPM | ||
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM |