Charles-Valentin Alkan, BBC Scottish Symphony Orchestra, Martyn Brabbins, Marc-André Hamelin's ' "Concerto da camera in A Minor, Op. 10 No. 1: II. Adagio" was released on its scheduled release date, April 1, 1994. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Concerto da camera in A Minor, Op. 10 No. 1: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 18 in Alkan & Henselt: Piano Concertos (Hyperion Romantic Piano Concerto 7) by Marc-André Hamelin, Adolf von Henselt, BBC Scottish Symphony Orchestra, Charles-Valentin Alkan, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Concerto da camera in A Minor, Op. 10 No. 1: II. Adagio is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto da camera in A Minor, Op. 10 No. 1: II. Adagio by Charles-Valentin Alkan, BBC Scottish Symphony Orchestra, Martyn Brabbins, Marc-André Hamelin is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 12 Le temps qui n'est plus: Andante | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 76 BPM | ||
Etude in A-Flat Major | Clara Schumann, Jozef De Beenhouwer | A♭ Major | 0 | 4B | 104 BPM | ||
8 pièces brèves, Op.84: 5. Improvisation in C sharp minor | Gabriel Fauré, Kun-Woo Paik | D♭ Major | 0 | 3B | 74 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
La chanson de la folle au bord de la mer opus 31 no.8 | Charles-Valentin Alkan | A♭ Major | 1 | 4B | 86 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 1. Largo - Allegro | Ludwig van Beethoven, Daniel Barenboim | D Minor | 1 | 7A | 113 BPM | ||
4 Pieces, Op. 2: No. 1. Lullaby: Moderato | Valentin Silvestrov, Elisaveta Blumina | A♭ Minor | 0 | 1A | 76 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
9 Préludes, Op. 103: No. 3 in G Minor | Gabriel Fauré, Lucas Debargue | E♭ Major | 0 | 5B | 68 BPM |