"Tannhäuser - Paris version / Act 1: "Geliebter, sag, wo weilt dein Sinn?"" by Richard Wagner, Plácido Domingo, Agnes Baltsa, Philharmonia Orchestra, Giuseppe Sinopoli was released on January 1, 1989. With this song being about 5 minutes long, at 4:53, "Tannhäuser - Paris version / Act 1: "Geliebter, sag, wo weilt dein Sinn?"" by Richard Wagner, Plácido Domingo, Agnes Baltsa, Philharmonia Orchestra, Giuseppe Sinopoli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Tannhäuser by Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli. The song's track number on the album is #3 out of 38 tracks. Tannhäuser - Paris version / Act 1: "Geliebter, sag, wo weilt dein Sinn?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser - Paris version / Act 1: "Geliebter, sag, wo weilt dein Sinn?" by Richard Wagner, Plácido Domingo, Agnes Baltsa, Philharmonia Orchestra, Giuseppe Sinopoli has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser - Paris version / Act 1: "Geliebter, sag, wo weilt dein Sinn?" being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Parsifal / Act II: Ich sah das Kind an seiner Mutter Brust - Live | Richard Wagner, Elina Garanca, Bayreuth Festival Orchestra, Pablo Heras-Casado | D Major | 1 | 10B | 76 BPM | ||
Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Mattinata - Wien, Wien, nur du allein - Amapola - Live | Ruggero Leoncavallo, Rudolf Sieczynski, Joseph Maria Lacalle, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestra del Maggio Musicale Fiorentino, Orchestra Del Teatro Dell'Opera Di Roma, Zubin Mehta | B♭ Major | 3 | 6B | 138 BPM | ||
La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
La Cenerentola / Act 1: "Conciossiacosacché" - "Intendente? Direttor?" | Gioachino Rossini, Enzo Dara, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Rusalka, Op. 114 / Act 1: Stalerá moudrost tvá vsechno vi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Macbeth / Act 1: Scena e Sestetto - Finale I: "Di destarlo per tempo il re m'impose" | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Antonio Savastano, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 2 | 3B | 94 BPM |