Hemant Chauhan's 'Swaminarayan Aarti' came out on February 23, 2003. The duration of Swaminarayan Aarti is about 3 minutes long, at 3:02. Based on our data, "Swaminarayan Aarti" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 7 in Aarti Sangrah by Hemant Chauhan. In terms of popularity, Swaminarayan Aarti is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Swaminarayan Aarti by Hemant Chauhan is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tu Mane Bhagwan Ek Vardan Aapi De | Nidhi Dholakia | F Minor | 7 | 4A | 88 BPM | ||
Arji Amari Suno Shreenathji | Nidhi Dholakia, Nitin Devka | A♭ Major | 5 | 4B | 145 BPM | ||
Paraniyun Bandhai | Hari Bharwad | F Minor | 5 | 4A | 107 BPM | ||
Shree Krishna Sharnam Mamah | Hemant Chauhan | E Major | 5 | 12B | 128 BPM | ||
Nagar Nandaji Na Lal | Aditiya Gadhavi, Geeta Rabari | F Major | 7 | 7B | 95 BPM | ||
Chalo Ne Jay Satsang Ma | Nidhi Dholakia | E♭ Minor | 4 | 2A | 132 BPM | ||
Dhuni Re Dhakhavi Beli Ame Tara Naam Ni | Osman Mir | E Major | 5 | 12B | 104 BPM | ||
Odhaji | Parthiv Gohil | G Major | 4 | 9B | 143 BPM | ||
Medley: Charar Charar Maro / Ori Aave To Tane / Ranuja Na Raja | Kishore Manraja | F Major | 7 | 7B | 142 BPM | ||
Poch Ito No Pavagadh | Kinjal Dave | B♭ Minor | 9 | 3A | 98 BPM |