Caspar Da Salo Quartet made "String Quartet, No. 5 in D-Major, op. 64: III. Menuetto - Allegretto" available on 1990. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 11 - Joseph Haydn" album is number 7 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, String Quartet, No. 5 in D-Major, op. 64: III. Menuetto - Allegretto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of String Quartet, No. 5 in D-Major, op. 64: III. Menuetto - Allegretto by Caspar Da Salo Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 154 テンポ, a half-time of 77テンポ, and a double-time of 308 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F sharp minor, H.I No.45 -"Farewell": 4. Finale. Presto | Franz Joseph Haydn, Orpheus Chamber Orchestra | A Major | 2 | 11B | 76 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": I. Adagio molto | Karoly Botvay | B Major | 0 | 1B | 177 BPM | ||
Waltz No.3 in A Minor, Op.34 No.2 | Frédéric Chopin, Claudio Arrau | A Minor | 0 | 8A | 72 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
Serenade In B-Flat For 13 Winds, K. 361/370A 'Gran Partita': lll. Andante | Anton Nanut, Slovenian Symphony Orchestra | E♭ Major | 1 | 5B | 138 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F Major | 1 | 7B | 167 BPM | ||
Symphony No.5 In B Flat, D.485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 150 BPM | ||
Concerto in C Major für Viola und Orchester: I. Largo | Capella Istropolitana, Paul Kantschieder | G Major | 1 | 9B | 101 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 7 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 2 | 8A | 51 BPM | ||
Violin Concerto in D, Op. 35: Canzonetta: Andante | Pyotr Ilyich Tchaikovsky, Jascha Heifetz, Fritz Reiner | D Major | 1 | 10B | 107 BPM |