This highly positive song (Partita for Solo Vn No.1 h-moll BWV 1002 2. Double) was released on November 9, 2010 by Nathan Milstein. With Partita for Solo Vn No.1 h-moll BWV 1002 2. Double being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Violin Essential Masters by Nathan Milstein. The song's track number on the album is #6 out of 93 tracks. In terms of popularity, Partita for Solo Vn No.1 h-moll BWV 1002 2. Double is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Partita for Solo Vn No.1 h-moll BWV 1002 2. Double by Nathan Milstein has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Partita for Solo Vn No.1 h-moll BWV 1002 2. Double being at 90 テンポ, the half-time would be 45 テンポ with a double-time of 180 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Niccolò Paganini: La campanella - Live Version | Niccolò Paganini, Salvatore Accardo, Orchestra Da Camera Italiana | B Minor | 1 | 10A | 107 BPM | ||
Liszt - Liebestraume No.3 | Brodin Ray | A♭ Major | 1 | 4B | 63 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
Valse Melancolique No. 1 in C Minor | Carlos Marquez | C Minor | 3 | 5A | 124 BPM | ||
Violin Sonata in A Major, Op. 2 No. 2, RV 31: I. Presto (Arr. F. David for Violin & Piano) | Antonio Vivaldi, Nathan Milstein, Valentin Pavlovsky | A Major | 2 | 11B | 91 BPM | ||
Carmen Suite No. 2: 2. Habanera | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Major | 0 | 10B | 134 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Escena | Orquesta Sinfónica De Radio Hamburgo | E♭ Minor | 0 | 2A | 136 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Liebesträume, S. 541: No. 3, Nocturne in A-Flat Major (Arr. Violin & Piano) | Franz Liszt, Yuka Mawaki, Masahiro Oishi | A♭ Major | 1 | 4B | 169 BPM |