Charles Gerhardt made "Dance Montage: Charleston Heel and Toe Polka, Southern Belle Waltz, Can Can (From "Gone With The Wind")" available on 1974. The duration of Dance Montage: Charleston Heel and Toe Polka, Southern Belle Waltz, Can Can (From "Gone With The Wind") is about 3 minutes long, at 3:25. Based on our data, "Dance Montage: Charleston Heel and Toe Polka, Southern Belle Waltz, Can Can (From "Gone With The Wind")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 11 in Classic Film Scores: Gone With The Wind by Charles Gerhardt. Based on our statistics, Dance Montage: Charleston Heel and Toe Polka, Southern Belle Waltz, Can Can (From "Gone With The Wind")'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Dance Montage: Charleston Heel and Toe Polka, Southern Belle Waltz, Can Can (From "Gone With The Wind") by Charles Gerhardt is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gran Ball In Venice | Pino Donaggio | E♭ Major | 2 | 5B | 177 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Overture (From "Captain Blood") | Charles Gerhardt | B♭ Major | 5 | 6B | 65 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Taras Bulba - The Ride to Dubno | Franz Waxman, Charles Gerhardt, National Philharmonic Orchestra | B Minor | 6 | 10A | 147 BPM | ||
Love Scene in the Barn (From "Friendly Persuasion") | Charles Gerhardt | E♭ Major | 2 | 5B | 83 BPM | ||
Gnossienne No. 1 | Erik Satie, William Masselos | F Minor | 0 | 4A | 66 BPM | ||
Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
La bohème: Finale. Death of Mimi | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A♭ Major | 5 | 4B | 174 BPM | ||
Ballroom Waltz | Moscow Symphony Orchestra, William T. Stromberg | F Major | 2 | 7B | 97 BPM |