Sergey Khachatryan's 'Sonata for Solo Violin No. 1 in G Minor, Op. 27: I. Grave. Lento assai' came out on March 29, 2024. With this song being about 5 minutes long, at 5:21, "Sonata for Solo Violin No. 1 in G Minor, Op. 27: I. Grave. Lento assai" by Sergey Khachatryan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Ysaÿe: VI Sonatas for Solo Violin, Op. 27 by Sergey Khachatryan. The song's track number on the album is #1 out of 15 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Sonata for Solo Violin No. 1 in G Minor, Op. 27: I. Grave. Lento assai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata for Solo Violin No. 1 in G Minor, Op. 27: I. Grave. Lento assai by Sergey Khachatryan has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata for Solo Violin No. 1 in G Minor, Op. 27: I. Grave. Lento assai being at 142 テンポ, the half-time would be 71 テンポ with a double-time of 284 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance for Violin and Piano, Op.23 | Amy Beach, 대니 구(Danny Koo) | F♯ Major | 2 | 2B | 132 BPM | ||
Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 89 BPM | ||
Sonata No. 2 in A Minor - Grave | Johann Sebastian Bach, Sergey Khachatryan | A Major | 1 | 11B | 100 BPM | ||
Rhapsody No. 1 for Violin and Piano, Sz. 87: II. Friss. Allegretto moderato - Live | Béla Bartók, Ivry Gitlis, Itamar Golan | G Major | 1 | 9B | 98 BPM | ||
Marie: La cinquantaine | Su Shien-Ta, Yu Tsui-Ling | E Major | 4 | 12B | 89 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Papillon, Op. 77 | Gabriel Fauré, Maria Kliegel, Nina Tichman | A Major | 1 | 11B | 59 BPM | ||
24 Caprices en formes d'etudes: No. 6 in B Minor | Pierre Rode, Axel Strauss | D Major | 2 | 10B | 128 BPM | ||
Franck: Cello Sonata in A Major: III. Recitativo - Fantasia | César Franck, Daniel Müller-Schott/Robert Kulek | F♯ Minor | 0 | 11A | 133 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 3. Phlegmatisch. Moderato | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | F Minor | 1 | 4A | 135 BPM |