On 1996, the song "Two Wings" was released by Southern Sons. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Two Wings's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 1940's Vocal Groups (1941-1944), so we believe that "Two Wings" is a single. In terms of popularity, Two Wings is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Two Wings by Southern Sons is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brother Can You Spare a Dime | Rudy Vallee and His Connecticut Yankees, Rudy Vallee | G Minor | 1 | 6A | 123 BPM | ||
Chevrolet | Lonnie Young, Ed Young | F Minor | 8 | 4A | 118 BPM | ||
Shake It and Break It (But Don't Let It Fall Mama) | Charley Patton | F Major | 3 | 7B | 111 BPM | ||
All Nights, All Days | Erika Augustine | E♭ Major | 4 | 5B | 100 BPM | ||
None of My Jelly Roll | Sweet Emma Barrett | G Major | 3 | 9B | 138 BPM | ||
You Got to Die | Blind Willie McTell | C Major | 1 | 8B | 138 BPM | ||
On the Road Again | Memphis Jug Band | C Major | 3 | 8B | 76 BPM | ||
There's Nothing as Sweet as Making Up | Slim Harpo | B♭ Major | 3 | 6B | 98 BPM | ||
No More, My Lawd | Alan Lomax | A Minor | 0 | 8A | 137 BPM | ||
High Water Everywhere, Pt. 1 (Alternate Take) | Charley Patton | A Major | 2 | 11B | 177 BPM |