Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle's 'Mussorgsky: Pictures at an Exhibition: No. 3, Promenade II (Moderato commodo assai e con delicatezza)' came out on June 9, 1986. With Mussorgsky: Pictures at an Exhibition: No. 3, Promenade II (Moderato commodo assai e con delicatezza) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Bruno Walter, Sir Simon Rattle, Berliner Philharmoniker's "Mussorgsky/Ravel: Pictures at an Exhibition ("Masterworks")" album is number 3 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Mussorgsky: Pictures at an Exhibition: No. 3, Promenade II (Moderato commodo assai e con delicatezza) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mussorgsky: Pictures at an Exhibition: No. 3, Promenade II (Moderato commodo assai e con delicatezza) by Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, Claudio Abbado, Berliner Philharmoniker | G Major | 1 | 9B | 137 BPM | ||
Symphony No.9 In D / 4. Satz: Tempo I. Molto adagio | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 88 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
Glazunov : Violin Concerto in A minor Op.82 : II Andante | Alexander Glazunov, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | D♭ Major | 1 | 3B | 106 BPM | ||
Rosen aus dem Süden, Op. 388 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 181 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |