"Death in Venice" by Gustav Mahler, Junge Deutsche Philharmonie, Rudolf Barshai was released on July 20, 2022. The duration of Death in Venice is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Death in Venice's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Death in Venice and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Death in Venice is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Death in Venice by Gustav Mahler, Junge Deutsche Philharmonie, Rudolf Barshai is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
Lyra Angelica: I. Adagio | William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters | C Minor | 1 | 5A | 71 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 5, Andante tranquillo "The Lady and the Dragon" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 83 BPM | ||
On Wings of Song, Op. 34 No. 2 (Arr. Parkin for Violin and Chamber Ensemble) | Felix Mendelssohn, Christian Li, Melbourne Symphony Orchestra | F Major | 1 | 7B | 142 BPM | ||
Spiegel im Spiegel | Arvo Pärt, Anne Akiko Meyers, Kristjan Järvi, Philharmonia Orchestra | F Major | 1 | 7B | 152 BPM | ||
Spring 2 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D♭ Minor | 2 | 12A | 174 BPM | ||
Sibelius: Impromptu for String Orchestra (From Impromptu, Op. 5) | Jean Sibelius, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | A Major | 4 | 11B | 98 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: No. 13 The Swan | Camille Saint-Saëns, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 87 BPM | ||
Rachmaninov: Symphony No.2 in E minor, Op.27: 3. Adagio | Sergei Rachmaninoff, Valery Gergiev, Mariinsky Orchestra | A Major | 0 | 11B | 132 BPM |