"Five Variants of 'Dives and Lazarus'" by Ralph Vaughan Williams, English String Orchestra, William Boughton was released on January 1, 1994. Five Variants of 'Dives and Lazarus' appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Fantasia on a Theme by Thomas Tallis & Orchestral Favourites, Vol. III by Ralph Vaughan Williams, English String Orchestra, William Boughton. The song's track number on the album is #8 out of 8 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Five Variants of 'Dives and Lazarus' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Five Variants of 'Dives and Lazarus' by Ralph Vaughan Williams, English String Orchestra, William Boughton has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Five Variants of 'Dives and Lazarus' being at 71 テンポ, the half-time would be 36 テンポ with a double-time of 142 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Florida Suite: II. By the River | Frederick Delius, Ulster Orchestra, Vernon Handley | E♭ Major | 1 | 5B | 81 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Petite suite de concert, Op. 77: III. Un Sonnet d'Amour | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | A Major | 0 | 11B | 166 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 130 BPM | ||
Coastal Command Suite: Dawn Patrol('Quiet Determination') | RTE Concert Orchestra, Ralph Vaughan Williams | E♭ Major | 2 | 5B | 63 BPM | ||
Binge: Elizabethan Serenade, "The Man in the Street" | Ronald Binge, Reginald Kilbey, Studio 2 Symphony Orchestra | F Major | 1 | 7B | 149 BPM | ||
Serenade for Strings in E Major, Op. 22: II. Tempo di Valse | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek | D Major | 9 | 10B | 167 BPM | ||
Madama Butterfly / Act 2: "Coro a bocca chiusa" (Humming Chorus) | Giacomo Puccini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 2 | 9B | 139 BPM | ||
Symphony No. 5, Op. 42, No. 1: V. Toccata | Charles-Marie Widor, André Isoir | F Major | 3 | 7B | 115 BPM |