On October 8, 1997, the song "Suite Compostelana: VI. Muneira" was released by Federico Mompou, Antigoni Goni. The duration of Suite Compostelana: VI. Muneira is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Suite Compostelana: VI. Muneira's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Antigoni Goni's "Guitar Recital: Antigoni Goni" album is number 8 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Suite Compostelana: VI. Muneira's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite Compostelana: VI. Muneira by Federico Mompou, Antigoni Goni to be Vivace (lively and fast) because the track has a tempo of 159 テンポ, a half-time of 80テンポ, and a double-time of 318 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludios Epigramaticos: No. 6 | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM | ||
Concerto for 2 Guitars & Orchestra: III. Allegro moderato | Hermann Ambrosius, Duo Imbesi Zangarà, Orchestra a Plettro Conservatorio A. Scarlatti Palermo | G Major | 3 | 9B | 128 BPM | ||
Suite Popular Brasileira, Valsa-Choro | Sergio & Odair Assad | E Minor | 2 | 9A | 100 BPM | ||
Gavotte 2 - J.S. Bach | Robert Westaway | A Minor | 3 | 8A | 116 BPM | ||
Homenaje a Tárrega, Op. 69: II. Soleares | Joaquín Turina, Craig Ogden | D Major | 1 | 10B | 116 BPM | ||
Guitar Sonatina, Op. 52, No. 1: I. Allegretto | Lennox Berkeley, Kyuhee Park | D Major | 1 | 10B | 117 BPM | ||
Maxixe | Agustín Barrios Mangoré, Antigoni Goni | A Major | 1 | 11B | 112 BPM | ||
Concordancias: I Movido | Walter Heinze, Victor Villadangos | E Major | 0 | 12B | 106 BPM | ||
24 Studies, Op. 35, "Exercises": No. 17 in D Major (Arr. A. Segovia for Guitar) | Fernando Sor, Eros Roselli | G Major | 1 | 9B | 106 BPM |