"Bachianas brasileiras No. 4: II. Coral: Canto do Sertao (Song of the Bush)" by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn was released on November 15, 2005. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #2 out of 29 tracks. The popularity of Bachianas brasileiras No. 4: II. Coral: Canto do Sertao (Song of the Bush) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 4: II. Coral: Canto do Sertao (Song of the Bush) by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 176 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Bachianas brasileiras No. 4: II. Coral: Canto do Sertao (Song of the Bush) being at 176 テンポ, the half-time would be 88 テンポ with a double-time of 352 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Piano Sonata No. 8 in B-Flat Major, Op. 84: II. Andante sognando | Sergei Prokofiev, Bernd Glemser | D♭ Major | 0 | 3B | 125 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | B Minor | 1 | 10A | 106 BPM | ||
Marche Caprice | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | C Major | 1 | 8B | 127 BPM | ||
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM |