Siete Canciones Tradicionales Chilenas: II. De la Cordillera Vengo

Oscar Ohlsen, Luis Orlandini
La Guitarra Clásica de Luis Orlandini
1:13 1996年9月10日
テンポ
71
キー
B Minor
キャメロットミュージックキー
10A

リンクを埋め込む

共有

Siete Canciones Tradicionales Chilenas: II. De la Cordillera Vengo - Oscar Ohlsen, Luis Orlandini 情報

音響性
98%
ダンサビリティ
47%
エネルギー
7%
手段性
93%
活気
11%
ラウドネス
62%
話し言葉
6%
価数
26%
人気
ラウドネス
-23.079 dB

まとめ

Oscar Ohlsen, Luis Orlandini's 'Siete Canciones Tradicionales Chilenas: II. De la Cordillera Vengo' came out on September 10, 1996. With Siete Canciones Tradicionales Chilenas: II. De la Cordillera Vengo being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Luis Orlandini's "La Guitarra Clásica de Luis Orlandini" album is number 10 out of 21. On top of that, United States appears to be the country where this track was created. Siete Canciones Tradicionales Chilenas: II. De la Cordillera Vengo is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Siete Canciones Tradicionales Chilenas: II. De la Cordillera Vengo テンポ

We consider the tempo marking of Siete Canciones Tradicionales Chilenas: II. De la Cordillera Vengo by Oscar Ohlsen, Luis Orlandini to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Siete Canciones Tradicionales Chilenas: II. De la Cordillera Vengo キー

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Variaciones Sobre un Tema de Luys Milan by Joaquin Nin Culmell, Luis OrlandiniVariaciones Sobre un Tema de Luys MilanJoaquin Nin Culmell, Luis OrlandiniE Minor19A123 BPM
Suite populaire brésilienne, W020: No. 1, Mazourka-choro by Heitor Villa-Lobos, Andrea de VitisSuite populaire brésilienne, W020: No. 1, Mazourka-choroHeitor Villa-Lobos, Andrea de VitisA Minor28A84 BPM
Film Grain by Bret WilliamsFilm GrainBret WilliamsD Minor07A93 BPM
Riomance de los Pinos by Frederico Tórroba, Bruno Jacques PelletierRiomance de los PinosFrederico Tórroba, Bruno Jacques PelletierE Minor09A90 BPM
La solitude by Carlos FuentesLa solitudeCarlos FuentesA Major511B84 BPM
Doce Tonadas de Carácter Popular Chileno: Tonada N°5 by Pedro Humberto Allende, Luis OrlandiniDoce Tonadas de Carácter Popular Chileno: Tonada N°5Pedro Humberto Allende, Luis OrlandiniA Minor18A81 BPM
California Suite: I. Preludio by José Maria Gallardo del Rey, Boris TesicCalifornia Suite: I. PreludioJosé Maria Gallardo del Rey, Boris TesicA Major111B158 BPM
Guitar Duo, Op. 62 No. 1: IV. Polonaise con poco moto by Ferdinando Carulli, Alfonso Baschiera, Marco NicoleGuitar Duo, Op. 62 No. 1: IV. Polonaise con poco motoFerdinando Carulli, Alfonso Baschiera, Marco NicoleD Major510B132 BPM
Deseo by Juan Alberto CastilloDeseoJuan Alberto CastilloD Major110B133 BPM
Prelude No.3 in F Major by Napoleon Coste, Carlos FuentesPrelude No.3 in F MajorNapoleon Coste, Carlos FuentesG Major39B122 BPM
ISRC
ushm92128738
レコードレーベル
L-M Records/RCA Records