"The Nutcracker, Op. 71, Act II, Scene 3: Pas de deux. Adagio" by Pyotr Ilyich Tchaikovsky, Bolshoi Theatre Orchestra, Yevgeny Svetlanov was released on November 1, 2011. The Nutcracker, Op. 71, Act II, Scene 3: Pas de deux. Adagio is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Russian Adagios". In this album, this song's track order is #1. The Nutcracker, Op. 71, Act II, Scene 3: Pas de deux. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker, Op. 71, Act II, Scene 3: Pas de deux. Adagio by Pyotr Ilyich Tchaikovsky, Bolshoi Theatre Orchestra, Yevgeny Svetlanov having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Waltzes: No. 2 in E Minor | Alexander Griboyedov, Дмитрий Благой | C Major | 1 | 8B | 170 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Gypsy Airs for Violin and Orchestra, Op. 20 | Pablo de Sarasate, Dresdner Philharmonie, Heinz Bongartz, Ion Voicu | C Minor | 2 | 5A | 80 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Autumn Dream | Archibald Joyce, Victor Makarov, Exemplary Orchestra of Interior Forces of USSR MOI | F♯ Major | 2 | 2B | 178 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM |