Saori Minami made "オー・シャンゼリゼ" available on 1971. The duration of オー・シャンゼリゼ is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. オー・シャンゼリゼ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 17才, so we believe that "オー・シャンゼリゼ" is a single. Based on our statistics, オー・シャンゼリゼ's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of オー・シャンゼリゼ by Saori Minami is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
大空と大地の中で | Chiharu Matsuyama | F Major | 4 | 7B | 140 BPM | ||
サン・トワ・マミー | Fubuki Koshiji | D♭ Major | 2 | 3B | 106 BPM | ||
22才の別れ | Kozo Murashita | G Minor | 2 | 6A | 132 BPM | ||
サマー・ラブ | Kiyohiko Ozaki | F Major | 7 | 7B | 114 BPM | ||
サムライ | Kenji Sawada | G Major | 6 | 9B | 167 BPM | ||
想い出のセレナーデ | 天地 真理 | E♭ Minor | 5 | 2A | 113 BPM | ||
街角トワイライト | Shanels | E Minor | 9 | 9A | 165 BPM | ||
ビューティフル・ネーム | Godiego | G Major | 7 | 9B | 77 BPM | ||
針葉樹 | Goro Noguchi | F Minor | 6 | 4A | 144 BPM | ||
夢みるシャンソン人形 | Mieko Hirota | E♭ Major | 5 | 5B | 142 BPM |