"Maidan 2014 / Cycle II: II. Lacrimosa" by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych was released on September 30, 2022. The duration of Maidan 2014 / Cycle II: II. Lacrimosa is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Maidan 2014 / Cycle II: II. Lacrimosa's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Valentin Silvestrov: Maidan by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych. The song's track number on the album is #5 out of 24 tracks. Based on our data, Germany was the country where this track was produced or recorded. Maidan 2014 / Cycle II: II. Lacrimosa is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Maidan 2014 / Cycle II: II. Lacrimosa by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Maidan 2014 / Cycle II: II. Lacrimosa being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Miniatures for Piano "A Whole in Twelve": No. 2, The Lady Plays | Mikael Ayrapetyan | D♭ Major | 0 | 3B | 75 BPM | ||
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Norma, Act I: Casta Diva (Arr. for Cello & Orchestra by Jan Vogler) - Radio Edit | Vincenzo Bellini, Jan Vogler, BBC Philharmonic, Omer Meir Wellber | D Major | 5 | 10B | 140 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
Il Padrino (for Harp): Un poco liberamente | Nino Rota, Naoko Yoshino | F Minor | 0 | 4A | 83 BPM | ||
4 Sketches, Op. 15: III. Dreaming | Amy Beach, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 93 BPM |