"Three Pieces in Olden Style: 3. (Untitled)" by Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra was released on September 8, 2017. With this song being about 5 minutes long, at 4:42, "Three Pieces in Olden Style: 3. (Untitled)" by Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johannes Fritzsch, Tasmanian Symphony Orchestra, Tamara-Anna Cislowska's "Into Silence: Pärt | Vasks | Górecki | Pelēcis" album is number 9 out of 18. In terms of popularity, Three Pieces in Olden Style: 3. (Untitled) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Pieces in Olden Style: 3. (Untitled) by Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amen, Opus 35 | Henryk Górecki, John Nelson | A Major | 1 | 11B | 71 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Xerxes, HWV 40: 4. Largo (Ombra mai fu) | George Frideric Handel, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 75 BPM | ||
Path 19 (Yet Frailest) (From “From Sleep”) | Angèle Dubeau, La Pietà | D Minor | 1 | 7A | 141 BPM | ||
To Be Certain of the Dawn: Part II: Remembrance: Interlude: Veil of Tears | Stephen Paulus, Nashville Symphony Orchestra, Giancarlo Guerrero | E Minor | 0 | 9A | 137 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
The Street (harp solo): Station IV. Jesus meets his Mother | Nico Muhly, Alice Goodman, Parker Ramsay | C Major | 0 | 8B | 87 BPM | ||
Symphony No. 3, Op. 36: II. Lento E Largo — Tranquillissimo | Henryk Górecki, Lisa Gerrard, Yordan Kamdzhalov, Genesis Orchestra | A♭ Major | 7 | 4B | 93 BPM | ||
Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi Allegretto | Camille Saint-Saëns, Rudolf Koelman, Sinfonietta Schaffhausen, Paul K. Haug | F Major | 1 | 7B | 101 BPM |