Jozef Zsapka, Dagmar Zsapka made "Histoire du Tango: IV. Concerto d'Aujourd'hui" available on May 5, 2009. The duration of Histoire du Tango: IV. Concerto d'Aujourd'hui is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Histoire du Tango: IV. Concerto d'Aujourd'hui's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Works for Flute and Guitar: Piazzolla, Vivaldi, Almeida, Ravel, Rodrigo and Castelnuovo-Tedesco by Bohdan Warchal. The song's track number on the album is #4 out of 15 tracks. Based on our statistics, Histoire du Tango: IV. Concerto d'Aujourd'hui's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Histoire du Tango: IV. Concerto d'Aujourd'hui by Jozef Zsapka, Dagmar Zsapka has a tempo of 154 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Histoire du Tango: IV. Concerto d'Aujourd'hui being at 154 テンポ, the half-time would be 77 テンポ with a double-time of 308 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl | F♯ Major | 3 | 2B | 173 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
Sonata For Violin And Continuo II: Imitazione del Liuto. Presto | Johann Paul Von Westhoff, Daniel Hope, Stefan Maass, Stefan Rath | C Major | 0 | 8B | 105 BPM | ||
Sonata in G Minor: I. Largo | Henry Eccles, Amit Peled, Eliza Ching | B♭ Major | 1 | 6B | 173 BPM | ||
Concerto à 4 No. 1 in G Minor: III. Allegro | Baldassare Galuppi, Aglaia Ensemble | B Minor | 1 | 10A | 84 BPM | ||
Concerto for Treble Recorder, Strings and Continuo in C: 4. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Trio Sonata in E Minor: I. Grave | Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM |