"Wesley: All Praise to Our Redeeming Lord (Lucius) - 5. We All Partake the Joy of One (feat. Epworth Choir)" by Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir was released on January 1, 1985. With Wesley: All Praise to Our Redeeming Lord (Lucius) - 5. We All Partake the Joy of One (feat. Epworth Choir) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 36 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. Wesley: All Praise to Our Redeeming Lord (Lucius) - 5. We All Partake the Joy of One (feat. Epworth Choir) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wesley: All Praise to Our Redeeming Lord (Lucius) - 5. We All Partake the Joy of One (feat. Epworth Choir) by Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir is Grave (very slow), since this song has a tempo of 43 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Heard the Voice of Jesus Say | Harmonious Chorale | A♭ Major | 4 | 4B | 98 BPM | ||
Hymnus Eucharisticus | Benjamin Rogers, The Choir of Magdalen College, Oxford, Mark Williams | A Minor | 2 | 8A | 106 BPM | ||
Bring Forth the Kingdom | Marty Haugen, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
There’s a Wideness in God’s Mercy | Frederick William Faber, Maurice Bevan, Choir of Jesus College, Cambridge, Richard Pinel | E♭ Major | 2 | 5B | 137 BPM | ||
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 2. Every Eye Shall Now Behold Him | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 1 | 9B | 67 BPM | ||
The day Thou gavest, Lord, is ended | Clement Schofield & des. Malcolm Archer, Wells Cathedral Choir, Wells Cathedral School Brass Ensemble, Malcolm Archer & Rupert Gough | A♭ Major | 1 | 4B | 81 BPM | ||
Kuule, Isä, pyyntö lasten (Siionin laulu 219) | Seuralaulu, Maarit Hosionaho | C Minor | 2 | 5A | 70 BPM | ||
My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | ||
Now Thank We All Our God | Cantillation, David Drury, David Russell | F Major | 1 | 7B | 180 BPM | ||
Lord I Would Own Thy Tender Care (Live) | Harmonious Chorale Ghana | D Major | 2 | 10B | 101 BPM |