Francesco Cavalli, Michel Corboz, Colette Alliot-Lugaz, Luciano Sgrizzi, English Bach Festival Baroque Orchestra's 'Cavalli: Ercole amante, Act 1, Scene 2: "Ogn’impero ha ribelli" (Venere)' had a release date set for July 1, 1981. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Cavalli: Ercole amante, Act 1, Scene 2: "Ogn’impero ha ribelli" (Venere)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Cavalli: Ercole amante, Act 1, Scene 2: "Ogn’impero ha ribelli" (Venere) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cavalli: Ercole amante, Act 1, Scene 2: "Ogn’impero ha ribelli" (Venere) by Francesco Cavalli, Michel Corboz, Colette Alliot-Lugaz, Luciano Sgrizzi, English Bach Festival Baroque Orchestra is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | A♭ Major | 2 | 4B | 80 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Les Indes Galantes - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | A♭ Minor | 4 | 1A | 141 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM |